Selected Books

A Novel
Gringa in a Strange Land
Portrait of the artist as a young woman in Mexico during the 1970's. "You'll think of Robert Stone's work and Babet Schroeder's film 'More.'" - Randolph Hogan, translator of "The Story of a Shipwrecked Sailor," by Gabriel Garcia Marquez
Biography of a Great African American Artist
Morning Glory: a Biography of Mary Lou Williams
"Stunning character...{Mary Lou} Williams has found her writing soul mate in Linda Dahl and the engrossing result is 'Morning Glory.'" - Gene Santoro, "New York Times Book Review"
Complete and In-depth Analysis of Women in Jazz
Stormy Weather: The Music and Lives of a Century of Jazzwomen
“The definitive work on women in music – an incredible job of research.”–John Hammond. "For anyone who loves jazz, this is their book." - "Los Angeles Times."
Biography of a Gifted Writer and Interpreter of the Great American Songbook
Haunted Heart: a Biography of Susannah McCorkle
The secret life and tragic death of a great American songbird. "{The book} is vivacious, tender, saturnine, industrious and deeply intelligent." - Leon Wieseltier, "The New Republic."
Short Stories About My Favorite Part of the World
Come Back, Carmen Miranda: Stories about Latin America
The main character is Latin America itself: tragic, lush, violent, romantic. "A wonderful group of stories." - "Danbury News-Times."

Linda Dahl's Blog.

Why I Love Book Titles

October 6, 2009

Tags: About Gringa in a Strange Land

I have a long list of book titles for books I will
probably never write, each a little egg in a shell. Tough
little coating, holding all those stories, all those
people. Very often the content of a book seems squeezed out of that shell, the title forces a certain attitude
toward the story. My new book, "Gringa in a Strange Land,"
is different. It had another title for years. Decades!
Like a woman called Maude who changes her name to Madonna
(for instance). When I happened to pick up the manuscript of "Gringa" during a very difficult time in my life when I needed to write about something pure and hard, the book
had a very different feel to it. There it was, perched at the end of the "sixties," this thinly-disguised version of myself fleeing what she knew, most of it - America, comforts, direction - and living the beat/hippie/artist
life in Mexico. By the time the book became "Gringa in a Strange Land," I like to think that the ingredients added, of vitality and irony and hope, and that mysterious yearning for beauty and connection which persists - well, I like to think the title and the book have come together.